Posted by Nikki Benson
(Ratings omitted as the reviewed artists only played 10 minute sets.)
The Sneaker Pimps show was as crazy as a mother [SHUT-YO-MOUTH!] Censor much? Well, SSG isn’t the only outlet keeping it clean; the Sneaker Pimps crew also put the kibosh on the cussing September 10, 2009. Problem? Not usually, but Grynch, the first local artist, wasn’t told about the clean language clause until midway through his set — FAIL! Adding insult to injury, the Sneaker Pimps crew didn’t bother telling the following acts that they needed to keep their language clean. The same awkward scenario of the the screaming stage hand and the confused artist played out multiple times.
Another winning idea from the Sneaker Pimps crew was to give the local acts 10 minute sets. Two thumbs up there, Sneaker Pimps!!! We really enjoyed you luring Seattleites out to hear some of their favorite hip-hop acts, only to hear the host talk about your lovely sponsor, Verizon Wireless, for longer segments of time than the local artists were allowed to perform.
The last bit of winning Sneaker Pimp-ness that I stuck around for was to hear the host announce Thee Satisfaction as “Thee Sacrifice.” Sneaker Pimps, if Seattleites didn’t know the extent of love you have for local music, we do now. Even though the way this event was set up sucked, our home town favorites held it down — at least for their allotted ten minute sets.
Grynch is blowing up. That would be because he’s the bomb. Not only does he “sound hella … hella big and black,” (Quote from Grynch in a previous SSG interview) he also knows how to spit a verse. His beats continue to rock the house on a regular basis. The audience was demanding him back to the stage after he left, but unfortunately, he could not fulfill their request, as per Sneaker Pimp planning.
Please enjoy a clip from Grynch’s set, and a Gryncherview™.
Thee Satisfaction took the stage directly after Grynch. It is a shame that these ladies aren’t going to be staying in Seattle; they are magnificent. Here’s the set up: One beautiful black female has short hair, feminine features, but dresses and looks more boyish. The second beautiful black woman has an illustrious afro. She looks much more feminine and rocks it in a natural way. You guessed it, these ladies are in a relationship — with each other. This tidbit wouldn’t necessarily be relevant, but their sexuality is a main focus in their music.
There is zero awkwardness around the fact that they are lesbians, rather, Thee Satisfaction use their sexuality in a jovial, alluring way. In one of their raps, they joke about taking a straight girl and coercing said female into switching teams. In another rap, they sing about how they have sexy girlfriends — each other. The boys especially liked that one!
Recently, Thee Satisfaction collaborated with Seattle’s big cats, Champagne Champagne, to create the anthem-worthy, ultra-hot song, “Magnetic Blackness.” More, more, more, hot, hot, hot! The energy that comes off the stage when the song is performed is ferocious. Seeing the ladies of Thee Satisfaction, Thomas Gray, Pearl Dragon, and Mark Gajadhar up on stage performing this song made everyone in the room stand up — even if they weren’t black.
Enough of my banter. Here are some clips of Thee Satisfaction!














I can’t understand for the life of me why the artists wouldn’t be allowed to curse.
to think i was itching to go to that show– i like a lot of Slick Rick’s stuff. but i’m glad I didn’t.
Yeah, it was a bit awkward to say the least. If you check out the beginning of the Thee Satisfaction, you can see it for yourself. The lack of organization was appalling.
Boo, Sneaker Pimps! We want more 206!
(And, for the record, I agree: the ladies of THEE are mad sexy. Physical beauty AND intelligence? A little piece of Seattle’s hip-hop soul left with them when they moved to Cali.)
Wait, so you’re telling me Clipse didn’t get to curse??
LOL! I don’t know dude… I didn’t stay for clips… Maybe I foxed myself by not staying for Slick Rick, but i was so pissed off… I didn’t even mention how most of the people who came to see Grynch didn’t even get to see him. No one knew ahead of time that the locals only got 10 minutes of stage time. It was a bunch of crap…
Since the tour is sponsored by Verizon, there is no swearing allowed. This applies to everyone on stage, even Clipse. However, Slick Rick didn’t get the memo and no one dared to remind him. (Seattle was his only tour stop.) lol.
Local acts only got 3 or 4 songs (except They Live!, who did a whole 30 minutes set). I can’t really hate on the short set times. Sneaker Pimps at least got a large amount of local acts some shine. NO other city had as many local artists perform as Seattle did. Plus, when else have you ever seen a bill with Grynch, Thee Satisfaction (w/Champagne Champagne), They Live, Fresh Espresso & GMK? It just doesn’t happen and won’t ever again.
(Steelo, another rap group, doesn’t count as they were the worst by far. I could ACE a whole review on how bad they were. They played 2nd to last before They Live and after everyone else. How did that happen? A better question is, HOW DID THEY EVEN GET BOOKED ON THIS !?!?)
It was a nice, simple and quick showcase of local talent presented to a mainstream crowd who made it apparent they really had no clue who anyone was. Grynch was his usual self on stage. Champage Champagne really seemed to fit in a groove when they guest appeared. They Live! just didn’t care what the crowd was doing as usual. It was very strange to see Fresh Espresso play to a crowd who weren’t hipster fanatics. The rest of the acts just didn’t hit it hard enough on stage because the crowd energy didn’t fuel them. Without the crowd feedback, you really start to notice when someone is trying too hard. Slick Rick, with tons of gold chains weighing him down, didn’t move much and most of his set consisted of him standing in place with hands in his jean pockets. Pretty weak. You could tell he wasnt that pumped to be there and got the idea he was more annoyed by it all.